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Lair of the White Worm, a review

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Title screen from Lair of the White Worm

Contains spoilers


Image capture from Lair of the White Worm


Image capture from Lair of the White Worm


Image capture from Lair of the White Worm

This is the Ken Russell film directly following the equally whacked-out and camp Gothic. This movie is nowhere near as surreal as that one, but it is no less entertaining.

I saw this film a long time ago on VHS and immediately became enamoured with its style, high camp and all round movie goodness. It's not everyone's cup-of-tea, that's a given. It is, in fact, less a cup-of-tea for everyone than what most movies would be. But here, you get the chance to see Hugh Grant circa 1988, Catherine Oxenberg circa 1988 and soft-porn star and vixen Amanda Donohoe circa 1988.

Grant is a young rich country laird who returns to his ancestral manor in England. His friend Angus, played by Peter Capaldi, has unearthed the skull of a large worm-like creature and the horror and fun begins.

It turns out Hugh Grant's home was the ancient site of a pagan cult devoted to the worship of the White Worm God, Dionian, something Grant dismisses as a foolish myth.

It starts off well; a country dance in tune to a wonderful Celtic-style swaggering song in homage of the D'Ampton Worm, as the monster is called. Great Pogues-ish type stuff!

Enter Donohoe: she is the film's dastardly centrepiece, the high priestess of the worm cult and she seduces a number of people, including a hapless schoolboy. At one stage, she bites a policeman and turns him into some sort of snake-lycanthrope. In a homage to cobras, the people so afflicted can be charmed and led by music. Capaldi leads the policeman around playing the bagpipes, which is a high-water mark for camp movies.

There's a few "demented dream sequences" in the film, notably the one Hugh Grant has at night where he envisions Donohoe and Oxenberg having a cat fight aboard a plane.

Oxenberg goes missing, and it turns out she had been kidnapped by Donohoe as a sacrifice to the monstrous worm, which lives in a cavern on Grant's property.

The film has an ambiguous ending, something I quite admired. In summary, it's a weird and wonderful movie that isn't for everyone, but those who do get it will not be disappointed.

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